Category Archives: Influences

Thinking of You, Dad. Belated Memorial Day Salute!

I hope everyone had a good and thoughtful Memorial Day weekend.  I spent a lot of it remembering and reflecting about my late father and his military service.  Thank you, Dad!

Thought I’d share some photos from his service as a Marine pilot in the Pacific in 1945.  As many of you know, he shot down 5 Japanese planes on his first combat mission, becoming an ace at his first opportunity.  He never gloried in these killings.  In fact, he had a Mass said on behalf of those other young pilots every year on the anniversary of their deaths.

One study down and ninety-nine to go!

At our recent workshop, Marc Hanson suggested we do a quick painting a day for 100 days and we would see a big improvement in our skills.  Number small panels 1 to 100 and put each away as it’s finished,  When you’re done with all of them, line ’em up in order and you’ll be surprised at what you’ve learned and how much better you’ve become.  And start the next 100.

I’ve started the process.  ‘Quasi-daily’ painting also ought to produce good change, right??

Here’s #1 — based on a reference photo I took on a hot summer day by the Potomac River bridge (new +  old fragments) at Shepherdstown, WV.  In the noonday sun, folks were swimming and kayaking on the still water and walking their dogs in the rocky shallows.  My hubby and I were enjoying the cool shadowed woods along the bank.  Heaven.  The painting is too busy — should have simplified more, but it does ‘bring me back’!

Study #1, Potomac at Shepherdstown. Oil on Paper. 8×10. 2018.

The reference.

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Getting Bolder with Flowers

I made this flower study during a recent workshop with Duane Keiser.  He plopped the vase down on the table one hour before the session was to end and suggested we paint quickly!  I was slinging and slapping that paint around like mad.  I completed it in the allotted hour.  Actually, it’s more accurate to say I ‘stopped’ at the end of the hour!  Duane encouraged me to go for the bright blue background — which the composition had in ‘real life’.  I was about to tone it down to something insipid.  I’m glad I followed his advice!

Red Roses & Frilly Purple Things

Red Roses & Frilly Purple Things

Torpedo Factory Portrait/Figurative Conference

For someone interested in learning more about figurative & portrait painting, there are few places better than the Art League of Alexandria, aka the Torpedo Factory Art Center.  My art buddy Helen Gallagher and I enjoyed hanging out at its first conference, celebrating a milestone anniversary.  Here are a few of the pieces we saw demonstrated at the event.

Drawing the Line

With some of my 7Palettes friends, I’m studying plein air painting with Carol Rubin this Spring.  Last week, it was too chilly to paint outdoors, so we made line drawings of a complex still life Carol had assembled.  Here’s a ‘line drawing’ made of oil paints.  Our warmup exercises follow.

Hat, Vases & Vegetation

hat, vases & vegetation. oil on canvas.

Two 30 second drawings.

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bottle, pot & dried hydrangea. charcoal pencil on vellum.

Thirty second hat and more.  charcoal on vellum.

hat and more. charcoal pencil on vellum.

A minute-long ‘continuous line’ drawing — made without taking the pencil off of the paper.

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hat, pots & plants. charcoal pencil on vellum.

A ‘blind contour’ — made while keeping eyes on the object.  NO looking at the paper!  (Well, maybe we got to take three short peeks. . . .)

no looking at the vegetation???  charcoal on vellum.

no looking at the scribblings??  only the objects???  charcoal on vellum.

And finally, as depicted above, we made complex line drawings in black paint and then brushed thick white paint over selected areas to ‘erase’ lines as needed to make the ‘drawing’ more accurate or more interesting.  A fun day.  I did more at home using my own props.  Will post those next time.

Portrait Workshop with Bill Schneider

I recently studied portrait painting with Bill Schneider.  After he did a wonderful demo, Bill had us emulate Nicholai Fechin’s gorgeous ‘broken color’ style, by copying (on a larger scale, so we could practice our facial measuring skills) some Fechin portraits.

Fechin's portrait (L) and my copy.  oil on canvas.

Fechin’s portrait (L) and my copy. oil on canvas.

First I copied one of Fechin’s beautiful women.  And then this precious child.

Fechin's portrait (L) & MOW copy.  oil on canvas.

Fechin’s portrait (L) & my copy. oil on canvas.

The next day we painted from a live model, attempting to apply the broken color method on our own.  Quite a difference in beauty, eh?  (Just keeping it real!)

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Working toward Fechin’s ‘broken color’ in painting from life. oil on Arches oil paper.

I ended the weekend workshop with lots to practice and mull.  Thanks, Bill!

 

Catching Up!! Studies a Plenty to Share

Here’s another study (unfinished) that I did during that wonderful Maggie Siner workshop awhile back.  Maggie wanted us to be very definite in matching colors and then put a big juicy stroke in the MIDDLE of the shape we were working on.

Dino, Pot & White Cat.  Unfinished.  Oil on Linen.

Terracotta Pot, White Cat & Dino on Pig-shaped Cutting Board. Unfinished. Oil on Linen.

Never put your first paint stroke next to an edge, she says, or you’ll be tempted to paint the object rather than the shape.  Maggie gave us a wonderful motto to paint by:  Great shapes, not great objects, make a good painting!

 

A Salute to Vola Lawson

My husband and I were greatly saddened to open the paper yesterday and learn that Vola Lawson had passed away.  She was an exceptional person, as well the sister of one of our sisters-in-law.  I want to share and commemorate her extraordinary achievements by posting her obituary here.  What a woman!

                                                (Gerald Martineau/The Washington Post)

Vola Lawson, Alexandria city manager, turned around tumult and advocated for minorities

By , December 11, Washington Post.

Vola Lawson, a community activist who was Alexandria’s chief administrative officer from 1985 to 2000 and helped stabilize the city’s finances while championing affordable housing, minority hiring and women’s rights, died Dec. 10 at her home in Alexandria. She was 79. . . .

Mrs. Lawson grew up during the Depression in Atlanta, where she was raised by grandparents she described as “enlightened and progressive.” Her grandmother had been a suffragist, and her grandfather had been an Atlanta school board member and activist friend of the Rev. Martin Luther King Sr., father of the civil rights leader.

Mrs. Lawson said that when she and her husband, a clinical psychologist, settled in Alexandria in the 1960s, the “good ol’ boy” system and segregationist Byrd political machine dominated Virginia politics.

The Lawsons, who were white, became involved in civic affairs, joining the Urban League and picketing the city government when a Confederate flag was flown outside Alexandria City Hall and when local businesses refused to hire or cater to blacks.

“When the police came, they were laughing along with the people who were harassing us,” she recalled.

In 1970, she became a campaign organizer for Alexandria’s first black council member since Reconstruction, Ira L. Robinson.

Mrs. Lawson joined the city government in 1971 and over the years helped oversee anti-poverty and housing programs. As assistant city manager for housing starting in 1981, she was credited with initiating more than $100 million in programs to aid low-income families and senior citizens.

In 1985, Mayor Charles E. Beatley Jr. and the City Council appointed Mrs. Lawson city manager, a position in which she oversaw the daily operations of a city then of 108,000. (Today, Alexandria’s population is about 140,000.) She was the first female city manager in Alexandria and among the first women to run a local government in the Washington area.

She took the job at one of the most turbulent moments in the city’s history. The police force was in disarray, there were open tensions among new- and old-guard council members, and Alexandria was facing a mounting crisis of illegal drug trafficking.

“I feel like I’ve been named a piñata at a piñata party,” Mrs. Lawson said at the time.

Police chief Charles T. Strobel was entangled in investigations and lawsuits stemming from a drug probe he had allegedly cut short. Strobel, who resigned in 1987, was eventually acquitted of all charges that arose in his decade-long tenure, but Mrs. Lawson said the lawsuits affected the city’s ability to indemnify itself.

It was a slow climb back.

Part of her work, Mrs. Lawson said, was to keep Alexandria out of the headlines. She instituted a “no-surprise policy” requiring department heads to send daily memos alerting her to any problems that might explode publicly.

Her management style could be brusque. “I am impatient with work that is not well reasoned,” she once told The Washington Post. But she believed tight control was needed to steer a listing city.

“If you have acted in a way that hurt the city and you should or did know better, then you’re dead meat with Vola,” U.S. House Rep. James P. Moran (D-Va.), who served as Alexandria’s mayor from 1985 to 1990, once told The Post.

As city manager, Mrs. Lawson promoted blacks and emphasized minority contracting in a city with a sizable minority population (it’s now about 47 percent).

She instituted Head Start and other child-care services and was an active participant in the Northern Virginia Housing Coalition, which started in the mid-1980s to provide affordable housing for low- and middle-income families.

In a city of historic homes and burgeoning gentrification, she helped Moran pass legislation prohibiting a reduction in public housing units. The efforts were praised by some civic leaders but could not stop the displacement of thousands of low-income residents to make way for higher-end housing developments.

In the early 1990s, Mrs. Lawson helped scuttle a deal to build a new stadium for the Washington Redskins in Alexandria, despite pressure from then-Gov. L. Douglas Wilder and team owner Jack Kent Cooke. She argued that it was a giveaway to the sports franchise at the expense of taxpayers.

Mrs. Lawson was not anti-development and helped lure commercial and government buildings to the city. She worked with a succession of mayors to regain the city’s AAA bond rating, which meant the city could issue bonds at lower interest rates.

“She set the direction of the city for a generation to come,” Moran said.

Vola Marie Therrell was born Sept. 14, 1934, in Atlanta and completed high school in Columbia, Ga.  She won a partial scholarship to attend Radcliffe College in Cambridge, Mass., but the tuition was still too high for her family to afford. She instead went to Stetson University in DeLand, Fla., before transferring to George Washington University.

In 1959, she married a GWU graduate student, David Lawson, who became director of the Northern Virginia Training Center for the intellectually disabled. He died in 2002. Survivors include three sons, David Lawson of Norfolk, Peter Lawson of Alexandria and MacArthur Meyers of Washington; two sisters; four grandchildren.

After leaving city government, Mrs. Lawson served on the board of the Campagna Center, a community service agency for children; the Animal Welfare League of Alexandria, which named its shelter after her; and the Alexandria Police Foundation. She formerly was on the vestry of Grace Episcopal Church in Alexandria.

In the mid-1990s, she helped start Alexandria’s cancer fund-raising walk after receiving a breast cancer diagnosis and having a double mastectomy. She said that the walk has raised money to provide mammograms and follow-up care to more than 5,000 low-income women.

We Share Our Color Learnings

Post-show doldrums are a great time to share insights from prior workshops.  Several of us ‘7 Palettes’ have been sharing new color mixing techniques this week.  Here’s what I passed along from the fabulous Terry Miura workshop my sister Ceci and I attended awhile back.

Here’s a glimpse of Terry’s palette:

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Terry Miura’s Limited Palette

And here are insights about painting the figure using a limited earth-tone palette:

  • Select one of each ‘primary’ color, plus white:   yellow ochre; transparent iron oxide red (‘earth red’ in some brands) , ivory black (standing in for blue) and Titanium white.
  • Using a palette knife, make two ‘puddles’ of paint consisting of a bit of each of the primary colors (in varying proportions, obviously):   a light-toned puddle for use in painting light areas of the figure and a dark toned puddle for shadowed areas.
  • To add variety to the light and shadow areas of the painting, ‘push’ each puddle toward other colors and values by adding relatively more of desired dominant colors and less of the subordinated colors.  For example, mix into part of the light puddle a bit more yellow ochre & some black to make a greenish variant.
  • Make sure that none of the darker values in the light puddle is as dark as the lightest light value in the dark puddle and vice versa.  Imagine a line down your palette between the two puddles to keep them strictly separate.
  • Paint the light areas of the figure using only the light puddle and its variants; and paint the shadowed areas of the figure using only with the dark puddle and its variants.
  • Assuming you’ve drawn the figure fairly well, you’ve got a fine looking painting!

Here’s Terry’s beautiful twenty minute demo!

Terry's nude.

Terry’s nude.