I decided to try another yellow flower — even bigger this time. I took the reference photo in our garden one morning — I couldn’t believe that the bee posed long enough for me to lean in for such a closeup. I was pumped. And I guess I got pumped up again while making this painting — it’s one of my favorites of the daily paintings so far! Hope you like it too.
#12 Yellow Squash Flower & Friend. Oil on Primed Arches Oil Paper. 10×8
Reference Photo
This is what I did yesterday — Mother’s Day. I’m very proud that I managed to do this AND have a celebratory brunch with Pat, Will, Mariam and grand babes Will and Maya. AND have a crab imperial supper courtesy of Pat. AND a nap! Woohoo! Hope you can tell that that light blue is pond water reflecting the pale blue sky, accented with the dark shadows of nearby leaves, which allowed us to glimpse the true colors under the murk. . . . Hmmm, looking at it again this morning, I probably should have darkened hat blue a bit more. Oh well.
Koi #3. Oil on Primed Arches Oil Paper. 8″x10″
Reference for Koi #3.
I’m behind on posting (but not painting!) — here’s the one I did on Saturday. Another koi — I think of this one as ‘the beauties and the beast!, because that fish looks like a torpedo or something lethal.
As for mixing the greens, I decided to slightly increase the odds of good leaf color by adding chromium oxide green to my palette for this one.
#7 – Koi #2 Oil on Primed Arches Oil Paper. 10″x8″
Koi with Water Lilies
My plan to overdose on Shepherdstown scenes must pause. I’m tired of the greens there — and the extreme difficulty of mixing them from my limited palette. I need to do some off-painting experimentation to see if I can develop some better mixes.
In the meantime, here are some koi, which I’ve been wanting to try for years. I like it, though the composition is too lopsided to the left, isn’t it? I didn’t want to include the reference’s departing duck sailing at lower right. Should I add a baby koi down there? Or would that be too ‘coy’? Should I preserve the area as the tranquil spot where the eyes can rest?? And dang – more green issues! A problem for the future.
#6 Koi Without Duck. Oil on Paper. 10″x8″.
Koi with Duck.
Yesterday’s painting – #5 of the daily painting project!
When we saw this scene last year at Shepherdstown near the Potomac River, we didn’t know exactly what it was — discolored parapet, water culverts, old stone pillars, small gushing stream, totally shaded by trees. Mysterious. Drew our attention.
I’m thinking this painting still needs a lot of ‘clarifying’ work. May or may not ‘go back in’ and tweak it some more. I scraped off some whites above the ‘black hole’ because they were way too bight, but probably should add some other light colored patches there . . .
Stream and Culvert at Shelpherdstown. Oil on Paper. 8″x10″.
Here’s yesterday’s painting, along with its reference. I feel like I’m on a marathon and am ALREADY huffing and puffing!!
Potomac River at Shepherdstown WV – #4. Oil on Paper. 8″x10″.
Potomac River at Shepherdstown WV .
Here’s my third of the 100 painting project — still on the Shepherdstown WV subject matter. This one was simple compared to those other two!
The painting & the reference.
Shepherdstown boaters, resting. Oil on Paper. 8″x10″. 2018.
Photo of Shepherdstown boaters.
I hadn’t gotten done with being proud of Sunday’s 1-of-100 painting when – – – – it was time to do another one! This is gonna be tough! Since I’ll have lots of surfaces to kill during this project, I figure I’ll keep going with more of my Shepherdstown references til I have a little collection of similars.
Here’s #2, along with its reference. Hmmm, the minute I put the brush down I start counting the snafus.
Shepherdstown Kayak. Oil on Paper. 8×10. 2018.
Potomac River at Shepherdstown Bridge
At our recent workshop, Marc Hanson suggested we do a quick painting a day for 100 days and we would see a big improvement in our skills. Number small panels 1 to 100 and put each away as it’s finished, When you’re done with all of them, line ’em up in order and you’ll be surprised at what you’ve learned and how much better you’ve become. And start the next 100.
I’ve started the process. ‘Quasi-daily’ painting also ought to produce good change, right??
Here’s #1 — based on a reference photo I took on a hot summer day by the Potomac River bridge (new + old fragments) at Shepherdstown, WV. In the noonday sun, folks were swimming and kayaking on the still water and walking their dogs in the rocky shallows. My hubby and I were enjoying the cool shadowed woods along the bank. Heaven. The painting is too busy — should have simplified more, but it does ‘bring me back’!
Study #1, Potomac at Shepherdstown. Oil on Paper. 8×10. 2018.
The reference.
Over the last few weeks I’ve been working on portraits of my three grandchildren — a task much less ‘fraught’ than the commissioned portrait I showed you last time. Here’s the one that’s farthest along, after about eight hours of work. I see lots of ‘issues’ still to be resolved, but it’s in a much better place than the other one ever reached. Can’t wait to see how it turns out!
Four Months. Oil on Linen. 9 x 12. 2018.