I’ve been pondering making a series of gouaches about my family. As the ‘About’ section suggests, there is LOTS of material. My husband and I will head to California soon to help celebrate our grandson’s first birthday. So I decided to make Family No. 1 a study of Max on his original ‘birth day’.
Family No. 1 (Max, Day 1). Gouache on paper.
I love to use art apps to record color sketches quickly, whether sitting by a lovely scene or whipping by in the passenger seat of a car. Photos just don’t ‘cut it’ for this type of use. The camera does not capture colors accurately — at least without time-consuming gyrations. Hauling out paints and nailing the right color note on the fly is also improbable.
With an art app, all you have to do is select the right color from a comprehensive array at your fingertips. Here are several palettes from which I can dial the desired color, swipe it on the screen, and adjust intensity/opacity as desired. The slideshow also includes a few color notations made to capture relative colors, instead of a specific scene.
This one is the Yellow Barn‘s 2nd Annual Drawing Exhibition, which runs contemporaneously with the Glen Echo Park show in the Spanish Ballroom (12 pm to 5 pm Saturday, Sunday, Monday). We will have a reception at the Yellow Barn at 5 pm Labor Day evening, with beverages and munchies — so come join us!
I had two drawings in last year’s show. Unless I get busy today or tomorrow, I’ll only have one drawing on display this time — based on my Make Piece days/photos. Toddler Trishtan (Ms Naomi’s grandson) often accompanied his mom when she was helping out in Ms Naomi’s excellent food service. In his early months, he was usually asleep in his stroller, so, with his mom and grandmother’s ok, I was able to soak up his beauty, peace and lovely smile (on his face during every waking moment).
Trishtan – asleep on the job. Pencil on paper.
No disrespect intended! Walt Bartman had promised us a cowboy and his horse. What we got was a grizzled, droll, and patient farmer . . . and his bull. Of course, both were way more fun to paint than a horse and cowboy would have been.
Walt, painting the 'bull boy'
My perspective on the bull and rider.
This was my vantage point.
And my gouache sketch. It’s not great — I spent most of my time watching Walt’s gouache techniques, trying to learn more about this unfamiliar medium.
Oh well . . .
A word about the gouache: Walt had encouraged us to use this easy-to-tote medium, rather than haul oil painting gear all over Cuba. This was good advice in view of the strict weight limit and our plan to bring giveaway items. But NOT so good for painting quality, in my case anyway. I’ll brief you ‘later’ on the painful months spent acquainting myself with gouache in advance of our trip.
Walt Bartman, excellent, indefatigable artist-teacher-mentor and director/founder of the Yellow Barn Studio, is my most recent teacher. I had to wait awhile to build up the courage to face his scrutiny! He’s been great, though. Too bad I waited so long!
Walt has been teaching and painting for more than thirty years. Educated at the University of Maryland and American University, he also studied art in Belgium and the Netherlands through a Fulbright Grant. I like this colorful barn scene by the man aptly termed ‘a breath of plein air’ by the New York Times.
Barnstormer, oil, 24 x 36"
And here’s another by Walt.
Another Dimension, oil, 16x20"
And here’s a nude (from a live model) that I painted during a class of Walt’s.
Nude 2011, oil