Category Archives: Art, General

A Year-long Painting Project is Completed!

After struggling (really, procrastinating) for over one year, I have finally finished a large oil painting, Mary’s Orchids. 

painting of orchid and pots

Mary’s Orchids.  Oil on linen, 2′ x 3′.

My sister Mary asked me to paint this work, requesting orchids, cherries, and a piece of pottery by Walter Anderson, the wonderful artist who lived on the Mississippi Gulf Coast near our home.  She also asked for it to be sized at two feet by three feet.  Gulp.

I bought the canvas panel, arranged the elements in dozens of compositions before settling on this one, roughed out a drawing on the plastic wrapper of the panel, and then STOPPED.  I was intimidated by the difficulty of the composition and its sheer SIZE.  I hadn’t attempted anything that large since the portrait I did of our dad for his 90th birthday three years ago.

I have at least four pots of yellow orchids hanging around the house.  As each orchid lost its flowers, I’d buy another pot in the expectation that I’d be starting ‘soon’.  This went on for so long, the original orchid re-bloomed!  So I decided I better get cracking, especially after passing the one year mark.

Finally it is done, about to be varnished and shipped down to Mary in Houston, TX.  Whew.

If you’ve got an extra minute to spend, check out the site of the Walter Anderson Museum of Art in Ocean Springs, MS.  It’s a fabulous museum, built with my dad’s help, honoring a fabulous artist.

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Brushes with Nature ~~ a New Exhibit at Kentlands Mansion!

The City of Gaithersburg annually invites artists to compete for the opportunity to exhibit in its various art venues.  Several of my art friends and I (aka ‘The 7 Palettes’) are delighted to have been selected to display 50 of our new works at the premier Kentlands Mansion, scene of weddings and other major events.  The exhibit will run almost three full months — from  June 17th through September 5.  Please bring friends and families to see our art and join us at a wine and cheese reception on Tuesday evening, June 21 from 7:00 to 8:30.
Announcement

Getting Bolder with Flowers

I made this flower study during a recent workshop with Duane Keiser.  He plopped the vase down on the table one hour before the session was to end and suggested we paint quickly!  I was slinging and slapping that paint around like mad.  I completed it in the allotted hour.  Actually, it’s more accurate to say I ‘stopped’ at the end of the hour!  Duane encouraged me to go for the bright blue background — which the composition had in ‘real life’.  I was about to tone it down to something insipid.  I’m glad I followed his advice!

Red Roses & Frilly Purple Things

Red Roses & Frilly Purple Things

Danni focuses us on portrait nitty-gritty: fabric

If you’re going to paint a portrait, you need to know how to paint clothes and drapes.

Hence the homework assignment to paint two pieces of fabric so that a viewer would know that they differ in weight and texture.  I didn’t have to look far for subjects:  a blue denim apron friends had brought back from Sennelier in Paris and a red satin shopping bag made by a daughter-in-law.  I draped them over a corner of my easel and set to work.  Voila.

apron 2015-01-19 13.49

 

Paintings & Workshops ~~ Catching Up

I’m WAY behind in reporting on my art activities.  I am hoping to give some brief updates to get back on track.

After seeing Danni Dawson’s work at the Art League’s conference mentioned in the last post, I enrolled to study portraiture with her over in Alexandria, VA.

Our first model was a lovely young woman draped in a Spanish lace mantilla.  I made a series of studies of her — and they went downhill from the first one!  See for yourself:

The model:

My studies:

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First Attempt

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Second try

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Third – Aargh!

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Fourth Try

 

Torpedo Factory Portrait/Figurative Conference

For someone interested in learning more about figurative & portrait painting, there are few places better than the Art League of Alexandria, aka the Torpedo Factory Art Center.  My art buddy Helen Gallagher and I enjoyed hanging out at its first conference, celebrating a milestone anniversary.  Here are a few of the pieces we saw demonstrated at the event.

Mixed Media Experiment – Sam ‘n Max Biking

Shortly after dear Alison Neustrom passed away, my sister Cecilia and I flew to Maine for a mixed media workshop, turning to art to help manage grief.  We wanted to try our hands at combining oil paint with patterned papers to produce unique images, with artist Katie Wilson.  Ceci’s first effort was a portrait of granddaughter Evie; I worked on a biking scene of grandson Max steering dad Sam.

Ceci's Evie

Ceci’s Evie

Max Steers Sam on a Sunday Ride

Max Steers Sam on a Sunday Ride

Catching up on the Last 8 Months – Finishing Rita’s Portrait

When last I posted in Oct 2014, I was closing in on the finale of my portrait of neighbor Rita – debating whether to make a few more tweaks despite her preference that I ‘stop right there’.  I couldn’t resist, though.  Here’s how she looks now, but don’t tell her that I’m tempted to start re-tweaking eight months later.  Need to shorten her chin & widen her lower jaw line just a smidge.

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Rita’s Portrait ~~ Session Five: More Home Work, using the iPad

I had made good progress during my work based on the reference photograph, but I decided it wasn’t good enough.  As a way to visualize changes that might improve the painting, I decided to do a mark-up on the iPad, using a side-by-side comparison with the reference photo.

markup of portrait using iPad

markup of painted portrait, as a result of side-by-side comparison with photo. iPad screenshot.

I cropped the photo included in my September 8th post and imported it digitally into the ArtRage app on my iPad.  I then ‘painted’ over the portrait area, trying to remedy the problems I identified in the painting.  This was a freehand process, done by ‘eyeballing’ the photo reference.  ArtRage is not able to make measurements for a closer comparison of the two images.

I like this markup as well as the final painting — if not more!  The ability to easily edit iPad marks liberates me from feeling that each (potentially incorrect) modification is ‘permanent’.  Playing around with the marks often yields spontaneous and interesting ideas that I would never have attempted initially in oils.

Even though I liked the resulting mark-up, I knew it would still be a challenge to implement these ideas in oil paint on the actual painting.